On the plane back from Europe, after a week of meetings at head quarters, I spent much of the time fighting against exhaustion and attempting, pointlessly, to read material related to my work. It was a definite downer after a pleasurable time meeting the staff at base and finding meaning in the organization that for so long had been just a collection of names, a number of whom I had simply harbored resentments against and yet many of whom could have done little more to have eased the long haul that has been setting up shop in Dubai.
On the plane I could not resist listening to a BBC recording of a Van Morrison performance at Glastonbury in 1987 which was available as part of the BA in flight entertainment. For some strange reason I had not been there, though almost felt like I was listening to it now. Missing my wife very much, “In the Garden” almost made me breakdown and I struggled to hold it together over the airline meal on which I was feasting. The emotion that the counterpoint of vocal and melody express, even if some of its overt religiosity is uncomfortable for some, surely has a universal resonance in its celebration of love whose intensity, devotion, and spirituality can make you feel “born again”.
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