I have raved about this singer-songwriter before and will no doubt do so again. Tom Cole recently played to a mostly disinterested bunch of revellers and eaters in The King’s Head pub in Battle in East Sussex. You had to strain a bit to hear Tom, who sings confidently but was only accompanied by himself on acoustic guitar.
But if you got up close (by propping up the bar nearest to him, as we did),
there were thrills aplenty.
The first part of his two-set show had some intended crowd-pleasers:
‘Cecilia’ (Simon and Garfunkel) for example, and more surprisingly, the
excellent ‘Piano Man’ by Billy Joel. Tom’s performance of the Joel song was doubly ironic
as it's about the kind of gig that Tom would have been playing if the punters were more interested (or drunk enough), while the song’s
knowing take on what it’s like to be the man behind the mic applies whether people
are ‘in the mood for a melody’ or not.
Mr Cole is a deft purveyor of Americana but without the preciousness that some performers of the 'genre' have (especially when they’re from the UK-side
of the pond). He includes pre-'Americana' Americana in his repertoire and performed a nice version of ‘Early Morning Rain’ by the God-like
genius that is Gordon Lightfoot (a Canadian). Tom went on to splice a Dylan song with one of his own. I cannot read my notes which were scrawled the morning after, but I think the Dylan number was‘Tomorrow is a Long Time’. Regardless,
Tom’s part blended well with His Bobness.
To cover the tortured Jackson C Frank - ‘Blues Runs The Game’ - emphasises Tom’s confidence and musical maturity. Tom's latest EP, ‘Ramblin’ Man’, contains only self-penned songs (on sale via his website
www.tomcolemusic.co.uk). The title track went down well live but, like all of the versions on the EP, benefits from a deft fiddle accompaniment.
Tom did a stellar cover of a Townes Van Zandt song, whose title I cannot remember either. (Suggestions on a postcard please). My friend and me were impressed enough that Tom would cover an artist whose songs deal in pain without having to shout about his suffering. The fact that Tom did one so well was a wonderful bonus.
Tom did a stellar cover of a Townes Van Zandt song, whose title I cannot remember either. (Suggestions on a postcard please). My friend and me were impressed enough that Tom would cover an artist whose songs deal in pain without having to shout about his suffering. The fact that Tom did one so well was a wonderful bonus.
One of the best things I have ever heard Tom do is ‘In My
Time of Dyin’’, which he performs closer to its original Gospel style than Led Zeppelin shooting their bolt all over it. This was the undoubted highlight of
the night (as it was the first time I saw him play). I don’t know if he’s considered getting the tapes rolling for a live release of this and other numbers, but he certainly should.
‘Will The Circle Be Unbroken’ isn’t perhaps an obvious
choice for the beery boys of Battle, but its time-honoured folk protest
verities have their place. By this point the ale was kicking in with me too and
we (I think) danced a bit to something Tom played before his finale: ‘Oh Lord Won’t You
Buy Me a Mercedes Benz’ (co-written, and made famous, by Janis Joplin). This did entice the revellers from the other side of the bar into the gig. Or at least one of
them. A lady stepped up, grabbed the mic and performed a more
than passable interpretation. (I hope she doesn't mind me including this shot (below) of her enjoying the applause).
Way to go Tom Cole. And hats off to The King’s Head in Battle
for hosting this talented performer.
